Saturday, February 2, 2019
The Reporter & the Screenwriter Essay examples -- Analysis, Nathanael
The late Steve Jobs in his 2005 commencement address at Stanford University eloquently traced the imprint of a calligraphy class he had interpreted at Reed College years before to the creation of todays gentlemans gentlemanwide standard in computer typography. Esteemed architect rude Gehry can trace the imprint of his college job working in a museum to his current success, and moreover can trace the imprint of a contrastive piece of art to each one of the buildings he has created. President peckerwood Clinton can trace the imprint of witnessing Martin Luther King, Jr.s 1963 I shake off a Dream speech to his decision to devote his life to politics. However, in regards to the fabricationist and tracing the imprint of their work, it appears the dominate voice echoing through the pages of their novel is life look. Two such novels that trace their imprint from life experience atomic number 18 babe Carrie by former newspaper publisher reporter Theodore Dreiser, and The twenty-f our hour period of the Locust by screenwriter Nathanael West. In obvious ways Sister Carrie shares its subject matter with the newspaper. As it is well-known, the model for Sister Carries primary(prenominal) character is Dreisers sister Emma, who fled from Chicago to New York with her married caramel brown after he stole money from the saloon where he worked. Dreiser put in the character of Sister Carrie on family experience, but the novels origins are journalistic as well as personal. The entire New York city section of Sister Carrie, with its dual emphasis on the glamorous world of the theatre and the miserable existence of the tramp, mirrors actual newspaper stories of both Broadway and the Bowery. hands similar to Hurstwood in his downward spiral could be easily found in the newspaper. Dreiser may have written an article about a trap who, like ... ...dull, heavy labor, West writes of the transplanted Midwesterner, Their boredom becomes more and more terrible. They realize that theyve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both cater them on lynching, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, wars They have been cheated and betrayed (West 177-178). The riot at the shoo-in premier at the end of the novel is their revenge on the ill-considered promises of movies.Two very different stories written by men who permit their life experience trace an imprint through the pages of their novels. Theodore Dreiser with the traces of the who, what, where, when and why of the newspaper reporter and Nathanael West with the traces of montage and dialogue of the screenwriter - both deviation their unending imprint as novelists.
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